
Triage is another of Methyl Ethel's exercises in the transient and indefinite. The Australian quartet's third album is introspective, but ca...
Triage is another of Methyl Ethel's exercises in the transient and indefinite. The Australian quartet's third album is introspective, but ca...
At its best, Unloved's second album, Heartbreak, sounds like a slick, modern reimagining of '60s girl groups, but with the bite and edge of...
Released more than 15 years after his debut as Rustin Man, Talk Talk bassist Paul Webb's followup, Drift Code, is atmospheric and moody, but...
Slipping in at just under 30 minutes, Highway Hypnosis could be considered a double album for Sneaks. Her previous two releases —Gymnastics...
Night Beats are trying really hard to be outlaw cowboys dragged through a Technicolor dust storm — and, for the most part, they're convincin...
The music from DOG Power's self-titled debut begs for a visual element. Not that the music itself is lacking — singer Sam Perry's smooth voi...
While the pop sensibilities and funk-tinged instrumentals from Mk.gee's May debut, Pronounced McGee, shine through on his new Fool EP, subtl...
Listening to More Honey, you can't help but imagine how electric, rambunctious, and fun a live performance from Toronto's Goodbye Honolulu w...
Edmonton-based Calvin Love unites his pop sensibilities, a lo-fi attitude, and more than a touch of folksy twang for his latest album, Highw...
Toronto punk band Dirty Work might kick off their second album, In the West End, by claiming they're "Ready to Go," but the album doesn't re...
Knowing Beacon was recorded in a series of basements, apartments and, most importantly, the attic of a supposedly haunted carriage house in...