On the surface, Motherless Brooklyn is loving tribute to 1950s film noir. There's a hardscrabble detective with debilitating Tourette's, an...

The Wretched's style harkens back to late '90s / early 2000s horror that revels in moments of corny, deranged, gleefully freaky fun, like a...

In a highly entertaining episode, Chance the Rapper did a great job as host and musical guest. Here's everything that happened on Saturday N...

During the third act of Black and Blue, the audience applauded many times — it seemed the only way to expel the tension everyone's nerves we...

8: A South African Horror Story is a welcome respite from cookie-cutter possession films, owing in large part to its commitment to highlight...

Director Alice Waddington's feature debut, Paradise Hills, is the very definition of style over substance — but that's not necessarily a bad...

Korean auteur Bong Joon-ho nailed class struggle commentary with 2013 post-apocalyptic epic Snowpiercer, and he's miraculously done it again...

Life is convoluted and messy, and that perhaps explains why Pain and Glory's account of an ailing filmmaker is a bit jumbled.   Salvador M...

Making Monsters is a case study in an excellent premise stretched too thin, and a concept that doesn't have enough legs to sustain an entire...

The Odd Family: Zombie On Sale is the type of film that's a mainstay at the Toronto After Dark Film Fest: a gleefully silly, constantly movi...

Blood Machines is a sequel to a 2016 music video, "Turbo Killer," which was directed by Seth Ickerman (aka Raphaël Hernandez and Savitri Jol...